@article{MTMT:33938865,
	title = {Megkerült idő: Kerezsi Nemere: Thiemann-Etüde (Galeria Quadro, Kolozsvár)},
	url = {https://m2.mtmt.hu/api/publication/33938865},
	author = {Horváth, Olivér},
	journal-iso = {BALKON},
	journal = {BALKON: KORTÁRS MŰVÉSZETI FOLYÓIRAT},
	volume = {31},
	unique-id = {33938865},
	issn = {1216-8890},
	year = {2023},
	pages = {44-48}
}

@article{MTMT:33532280,
	title = {Introduction : Total Cinema: Film and Design},
	url = {https://m2.mtmt.hu/api/publication/33532280},
	author = {Bakk, Ágnes Karolina and Gyenge, Zsolt and Horváth, Olivér},
	doi = {10.21096/disegno_2022_1eds},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {6},
	unique-id = {33532280},
	issn = {2064-7778},
	abstract = {The movie screen is up in flames and the audience flees in panic, thinking an atomic bomb has just been dropped. The director rubs his hands: film and the outside world have blended into one—at least in Joe Dante’s Matinee (1993), set in the 1962 Cuban Missile Crisis. May this be the “myth of total cinema” described by André Bazin in 1946, according to which the art of film was never really driven by its accidental technological history but by a desire to grasp reality in its entirety, to reconstruct “a perfect illusion of the outside world in sound, color, and relief”? Dante’s larger than life director pays homage to B-movie showman William Castle, who shied away from little when it came to engagement, be it narrative, visual, or somatic. Castle appeared on screen offering the audience a (faux) choice between alternative endings, used 3D illusionism, and installed “buzzers” in the seats and skeletons flying over the auditorium—not unlike Eisenstein’s Proletkult theatre which included tightrope-walkers over the viewers’ heads and firecrackers under their bottoms. Is it possible to unite the effects of agitprop theatre, the illusion of agency in American trash films and the immersive formats of our time into a single conceptual framework? And if it is, would that be cinema? Film theorist Andrew Dudley already claimed in 1997 that “[t]he century of cinema offered a fragile period of détente during which the logosphere of the nineteenth century with its grand novels and histories has slowly given way—under the pressure of technology, of the ascendance of the image, and of unfathomable world crises—to the videosphere we are now entering.”},
	year = {2022},
	eissn = {2416-156X},
	pages = {4-10}
}

@article{MTMT:33363779,
	title = {Introduction},
	url = {https://m2.mtmt.hu/api/publication/33363779},
	author = {Fehér, Borbála and Szentpéteri, Márton and Gyenge, Zsolt and Horváth, Olivér},
	doi = {10.21096/disegno_2021_1-2int},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {5},
	unique-id = {33363779},
	issn = {2064-7778},
	abstract = {Intrigue still surrounds Moholy-Nagy and the issue is also an opportunity to address some of the more evasive and hidden aspects of his character. Though he is widely known and recognized as one of the most important Bauhaus-inspired thinkers—see, for example, Alysa Nahmias’ recent documentary The New Bauhaus —many details of his life and work still need to be discovered and made available to the wider public. It is also very telling in this respect that the definitive intellectual biography of László Moholy-Nagy is still to be written. Much of this might be due in part to his early death, which left several of his projects unfinished, and also to the difficult times he lived through, when—as some of the papers published in this issue will show—the shortage of materials, lack of socio-political stability, and unpredictability of funding undermined many of his plans.},
	year = {2021},
	eissn = {2416-156X},
	pages = {6-7}
}

@article{MTMT:32893654,
	title = {Szeretjük a totális environmenteket az eszköztelen konceptualizmussal szemben. Beszélgetés Horváth Olivérrel és Német Szilvivel},
	url = {https://m2.mtmt.hu/api/publication/32893654},
	author = {Tóth, Tibor},
	journal-iso = {EXINDEX},
	journal = {EXINDEX: KÉPZŐMŰVÉSZETI FOLYÓIRAT},
	unique-id = {32893654},
	year = {2020}
}

@article{MTMT:32595453,
	title = {Közönséges dolgok. James Fenimore Cooper mindent látó keszkenője},
	url = {https://m2.mtmt.hu/api/publication/32595453},
	author = {Carlson, Hannah},
	doi = {10.21096/disegno_2019_1-2hc},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {4},
	unique-id = {32595453},
	issn = {2064-7778},
	year = {2019},
	eissn = {2416-156X},
	pages = {96-109}
}

@article{MTMT:32595448,
	title = {Valós testi munka, materiális megértés és a szövő kéz bölcsessége},
	url = {https://m2.mtmt.hu/api/publication/32595448},
	author = {Hemmings, Jessica},
	doi = {10.21096/disegno_2019_1-2jh},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {4},
	unique-id = {32595448},
	issn = {2064-7778},
	year = {2019},
	eissn = {2416-156X},
	pages = {88-95}
}

@article{MTMT:32595427,
	title = {Vagy valami, vagy megy valahová},
	url = {https://m2.mtmt.hu/api/publication/32595427},
	author = {Horváth, Olivér},
	doi = {10.21096/disegno_2019_1-2ho},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {4},
	unique-id = {32595427},
	issn = {2064-7778},
	year = {2019},
	eissn = {2416-156X},
	pages = {6-21}
}

@article{MTMT:32893299,
	title = {A Dűne. Jurgen Beyjel Horváth Olivér beszélgetett},
	url = {https://m2.mtmt.hu/api/publication/32893299},
	author = {Horváth, Olivér},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {2},
	unique-id = {32893299},
	issn = {2064-7778},
	year = {2015},
	eissn = {2416-156X},
	pages = {226-235}
}

@article{MTMT:32887244,
	title = {Boris Groys: Öndesign és esztétikai felelősség. Az őszinteség előállítása. Horváth Olivér bevezetőjével},
	url = {https://m2.mtmt.hu/api/publication/32887244},
	author = {Horváth, Olivér},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {II},
	unique-id = {32887244},
	issn = {2064-7778},
	year = {2015},
	eissn = {2416-156X},
	pages = {26-34}
}

@article{MTMT:32893330,
	title = {Norvég alapok. Recenzió a Design History című könyvről},
	url = {https://m2.mtmt.hu/api/publication/32893330},
	author = {Horváth, Olivér},
	journal-iso = {DISEGNO},
	journal = {DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA},
	volume = {1},
	unique-id = {32893330},
	issn = {2064-7778},
	year = {2014},
	eissn = {2416-156X},
	pages = {102-109}
}