@article{MTMT:34216211, title = {Az elevenség prózapoétikai összefüggései Bereményi Géza Budapest című elbeszélésében}, url = {https://m2.mtmt.hu/api/publication/34216211}, author = {Molnár, Gábor Tamás}, journal-iso = {ALFÖLD}, journal = {ALFÖLD: IRODALMI MŰVÉSZETI ÉS KRITIKAI FOLYÓIRAT}, volume = {74}, unique-id = {34216211}, issn = {0401-3174}, year = {2023}, pages = {70-82} } @inbook{MTMT:34019679, title = {Az érem peremén, avagy a líraolvasás ökonómiája. Kosztolányi Dezső: Költő a huszadik században című költeményéről}, url = {https://m2.mtmt.hu/api/publication/34019679}, author = {Molnár, Gábor Tamás}, booktitle = {Poétai ökonómiák}, unique-id = {34019679}, year = {2023}, pages = {177-197}, orcid-numbers = {Molnár, Gábor Tamás/0000-0001-5195-0207} } @article{MTMT:34019672, title = {Art of Annotation. Documentariness and Play in Péter Esterházy’s A Novel of Production}, url = {https://m2.mtmt.hu/api/publication/34019672}, author = {Molnár, Gábor Tamás}, doi = {10.47075/CEC.2022-2.04}, journal-iso = {CEC}, journal = {CENTRAL EUROPEAN CULTURES}, volume = {2}, unique-id = {34019672}, issn = {2786-0671}, abstract = {This paper aims to interpret the process of self-documentation in Péter Esterházy’s A Novel of Production (1979), an important Hungarian novel which utilizes extensive endnotes to link a parodic narrative to a body of fictionalized autobiographical commentary. Drawing on theories of play and self-reflexivity as well as critical studies on the history of annotation in nonfiction and fiction, the article presents the structure of Esterházy’s novel and elucidates some textual connections between seemingly disconnected parts. The interpretation focuses on a storyline involving the attempted signing of the fictionalized author, also a lower-league football player, by a club bigger than his current one. The article argues that this narrative demonstrates the intersection of several thematic levels and discourses within the narrative, including football, finance, politics and literature—and illustrates the way in which a complex reality is modeled by the intersections and mutual displacement of competing discourses or fields of play. In conclusion, the article considers the role of self-documentation and self-commentary in the process of semiotic modeling, and links Esterházy’s creative method to Greimas’s semiotic square.}, year = {2023}, eissn = {2786-068X}, pages = {52-73}, orcid-numbers = {Molnár, Gábor Tamás/0000-0001-5195-0207} } @article{MTMT:33564222, title = {The Cold War, Multilingualism, and the Epistemology of Participation in Primo Levi’s The Truce}, url = {https://m2.mtmt.hu/api/publication/33564222}, author = {Molnár, Gábor Tamás}, doi = {10.1163/24056480-00704005}, journal-iso = {J WORLD LIT}, journal = {JOURNAL OF WORLD LITERATURE}, volume = {7}, unique-id = {33564222}, issn = {2405-6472}, abstract = {This paper focuses on multilingualism and intercultural communication in Primo Levi’s autobiographical narrative The Truce (1963), in the framework of a non-universalist view of world literature and the concept of “significant geographies.” The interpretation aims to discover how the historical moment of pre-Cold War armistice is related to transnational movements, the experience of displacement, and intercultural or interlinguistic encounters. Reading several key scenes and passages, I claim that the narrator’s strategies convey a participatory anthropological approach to the understanding of foreignness, which is also evidenced by a subtle and multilayered irony. Some of Primo Levi’s other fiction and nonfiction is used to frame this discussion of The Truce .}, year = {2022}, eissn = {2405-6480}, pages = {556-576} } @article{MTMT:33265984, title = {Kultúratudományi közelítések az irodalomelmélethez. Költészet és közvetítettség}, url = {https://m2.mtmt.hu/api/publication/33265984}, author = {Molnár, Gábor Tamás}, journal-iso = {IRODALMI MAGAZIN}, journal = {IRODALMI MAGAZIN}, volume = {X}, unique-id = {33265984}, issn = {2063-8019}, year = {2022}, pages = {52-58}, orcid-numbers = {Molnár, Gábor Tamás/0000-0001-5195-0207} } @inbook{MTMT:33239002, title = {Költői kép, prózai félreolvasás. A molylepke lánghalála és túlélése Thomas Pynchon Súlyszivárványában}, url = {https://m2.mtmt.hu/api/publication/33239002}, author = {Molnár, Gábor Tamás}, booktitle = {Prózára hangolva}, unique-id = {33239002}, year = {2022}, pages = {223-258} } @book{MTMT:33210856, title = {Prózára hangolva. A 20–21. századi elbeszélő próza a magyar és a világirodalomban}, url = {https://m2.mtmt.hu/api/publication/33210856}, isbn = {9789634895183}, editor = {Bónus, Tibor and Molnár, Gábor Tamás}, publisher = {ELTE Eötvös Kiadó Kft.}, unique-id = {33210856}, year = {2022}, orcid-numbers = {Bónus, Tibor/0000-0002-2433-5329; Molnár, Gábor Tamás/0000-0001-5195-0207} } @article{MTMT:32809501, title = {Panoptikum, szoros olvasás és a jó cukor. Kerekasztal-beszélgetés a figyelemről Molnár Gábor Tamás, Simon Attila, Tófalvy Tamás és Fodor Péter részvételével}, url = {https://m2.mtmt.hu/api/publication/32809501}, author = {Fodor, Péter and Molnár, Gábor Tamás and Simon, Attila and Tófalvy, Tamás}, journal-iso = {ALFÖLD}, journal = {ALFÖLD: IRODALMI MŰVÉSZETI ÉS KRITIKAI FOLYÓIRAT}, volume = {73}, unique-id = {32809501}, issn = {0401-3174}, year = {2022}, pages = {61-70}, orcid-numbers = {Simon, Attila/0000-0001-6763-8891} } @article{MTMT:32770801, title = {Jelentéktelen állatok és megfigyelésük. A molylepke halála a modern prózában}, url = {https://m2.mtmt.hu/api/publication/32770801}, author = {Molnár, Gábor Tamás}, journal-iso = {ALFÖLD}, journal = {ALFÖLD: IRODALMI MŰVÉSZETI ÉS KRITIKAI FOLYÓIRAT}, volume = {73}, unique-id = {32770801}, issn = {0401-3174}, year = {2022}, pages = {51-61} } @misc{MTMT:32809489, title = {A figyelem - panelbeszélgetés}, url = {https://m2.mtmt.hu/api/publication/32809489}, author = {Simon, Attila and Molnár, Gábor Tamás and Tófalvy, Tamás and Fodor, Péter}, unique-id = {32809489}, year = {2021}, orcid-numbers = {Simon, Attila/0000-0001-6763-8891} }