@misc{MTMT:36414357,
	title = {How Silence Spreads in Academia: Patterns and Implications},
	url = {https://m2.mtmt.hu/api/publication/36414357},
	author = {Hammer, Ferenc},
	doi = {10.37189/kwi-blog/20250610-0830},
	unique-id = {36414357},
	keywords = {academic freedom},
	year = {2025},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@article{MTMT:33926541,
	title = {Amikor a tények valahogy nem harapnak. A kis következményekkel járó újságírást övező körülmények mintázatairól},
	url = {https://m2.mtmt.hu/api/publication/33926541},
	author = {Hammer, Ferenc},
	journal-iso = {MÉDIAKUTATÓ},
	journal = {MÉDIAKUTATÓ: MÉDIAELMÉLETI FOLYÓIRAT},
	volume = {24},
	unique-id = {33926541},
	issn = {1586-8389},
	abstract = {A tanulmányban három fő kérdést vizsgálok meg. Egyrészt megmutatom, hogy a tényfeltárás magasztalt demokratikus szerepének értékelése miért nem lehet teljes annak számbavétele nélkül, hogy mi történik akkor, ha a tényfeltárásnak vagy a dezinformáció-leleplezésnek nincs kézzelfogható eredménye. Másrészt a nemzetközi és a hazai tapasztalatok segítségével a hallgatás és a csend archeológiájának néhány konstitutív faktorát azonosítom, nem hagyva figyelmen kívül a nyilvánossághibridizáció fontos kontextusát. Harmadrészt pedig egy módszertani innováció révén, a Reporters Without Borders szólásszabadság- és a
		Freedom House demokráciaindexének egymásra vetítésével empirikusan is megragadhatóvá teszem, hogy mely országok vannak feltehetőleg éppen mozgásban a szabadság/demokrácia skálán, és hogy a hanyatlásban milyen szerepet játszhat a szabad szólás következménynélkülisége.},
	keywords = {demokrácia; sajtószabadság; hibrid média; médiarendszer-teljesítmény},
	year = {2023},
	eissn = {1587-0308},
	pages = {67-77},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@CONFERENCE{MTMT:33617882,
	title = {SETI at Classroom. The Story of Humanity Told with Geological and Archeological Objects},
	url = {https://m2.mtmt.hu/api/publication/33617882},
	author = {Hargitai, Henrik and Borel, Antony and Csippán, Péter and Bodor, Péter and Hammer, Ferenc and Páva, Rita and Sterk, Barbara},
	booktitle = {54th Lunar and Planetary Science Conference},
	unique-id = {33617882},
	year = {2023},
	orcid-numbers = {Hargitai, Henrik/0000-0001-6563-6921; Borel, Antony/0000-0002-6014-1863; Csippán, Péter/0000-0001-6237-9077; Bodor, Péter/0000-0001-9611-9206; Hammer, Ferenc/0000-0002-9414-793X; Páva, Rita/0000-0002-9631-0729}
}

@inproceedings{MTMT:32492300,
	title = {Human-Object Continuities in Sherry Turkle’s STS-Anthropology},
	url = {https://m2.mtmt.hu/api/publication/32492300},
	author = {Hammer, Ferenc},
	booktitle = {The Sherry Turkle Miracle},
	unique-id = {32492300},
	year = {2021},
	pages = {29-35},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@inbook{MTMT:32492306,
	title = {Neonfényes szelek / Neon confrontation. Az INFORG-filmek és a 2000-es évtized / The Inforg-films and the 2000s},
	url = {https://m2.mtmt.hu/api/publication/32492306},
	author = {Hammer, Ferenc},
	booktitle = {A kísérletezés szabadsága / The freedom of experimentation},
	unique-id = {32492306},
	year = {2021},
	pages = {32-43},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@techreport{MTMT:31389629,
	title = {Monitoring media pluralism in the digital era: Application of the media pluralism monitor in the European Union, Albania and Turkey in the years 2018-2019. Country report: Hungary},
	url = {https://m2.mtmt.hu/api/publication/31389629},
	isbn = {9789290848721},
	author = {Bátorfy, Attila and Hammer, Ferenc and Galambosi, Eszter},
	doi = {10.2870/025621},
	unique-id = {31389629},
	year = {2020},
	orcid-numbers = {Bátorfy, Attila/0000-0003-2447-1010; Hammer, Ferenc/0000-0002-9414-793X}
}

@{MTMT:30438871,
	title = {A dalok ugyanazok maradnak. A retro kultúrpolitikai szerkezetei a magyar popzenében},
	url = {https://m2.mtmt.hu/api/publication/30438871},
	author = {Hammer, Ferenc},
	booktitle = {Kommunikáció- és médiatudomány: akadémiai bemutatkozás},
	unique-id = {30438871},
	year = {2018},
	pages = {292-304},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@{MTMT:3343904,
	title = {A veszély archeológiája. A számítógép és a gyerekek esete},
	url = {https://m2.mtmt.hu/api/publication/3343904},
	author = {Hammer, Ferenc},
	booktitle = {Megformált beszéd, elfojtott hang},
	doi = {10.30866/Megform_2017.71},
	unique-id = {3343904},
	year = {2017},
	pages = {71-94},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@{MTMT:3343906,
	title = {A dalok ugyanazok maradnak. A retro kultúrpolitikai szerkezetei a magyar popzenében},
	url = {https://m2.mtmt.hu/api/publication/3343906},
	author = {Hammer, Ferenc},
	booktitle = {Populáris zene és államhatalom},
	unique-id = {3343906},
	year = {2017},
	pages = {282-294},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}

@inbook{MTMT:3343911,
	title = {The songs remain the same. Structures of cultural politics of retro in Hungarian pop music},
	url = {https://m2.mtmt.hu/api/publication/3343911},
	author = {Hammer, Ferenc},
	booktitle = {Made in Hungary},
	doi = {10.4324/9781315689982-14},
	unique-id = {3343911},
	abstract = {Scholarly approaches to pop music produced in the Cold War period in the Eastern Bloc tended to focus on musicians whose work somehow crossed lines defined by cultural policies defined by the Party. Apart from the presumable personal interest and taste of social scientists, a rationale for this choice can be that norms in action show with great accuracy important traits of any human association, let it be a teenage couple or the Union of Soviet Socialist Republics. The period around 1989 was a particularly rich period for monographs, edited volumes and journal articles about Russian rockers, Polish punks, Hungarian alter-scenes, or any walk of musical endeavour from Slovenia to Siberia that could be understood as a certain form of nonconformism or resistance (Ramet 1994; Troitsky 1987; Bushnell 1990; Ryback 1990). Though these authors had sought to distance themselves from a romantic glamorizing of these countercultural efforts, nevertheless one reading still seems plausible, that is, these articles and books in a way could be read as an acknowledgement of these efforts which often had to face censorship, or isolation. A strange phenomenon still could be observed. If one adds up the YouTube views of the ten most popular tunes of the twenty or so alternative groups, from Ági és a Fiúk (Ági and the Boys) to Vágtázó Halottkémek (Galloping Coroners), appearing inAnna Szemere’s (2001) thorough Up From the Underground: The Culture of Rock Music in Postsocialist Hungary, this number would be still smaller than the YouTube views of the most popular song, more than 3.7 million, by Neoton Família, a Hungarian disco pop band that gained its greatest success around the turn of the 1970s-80s. In this chapter, employing arguments from the study of pop music and also from media studies, I outline a few structural arguments for this phenomenon of repetition, that is, when cultural policies of the 1970s-80s quite curiously repeat themselves in the context of web2.0/3.0 digital environments due to a dual determination, as matter-of-fact impacts of cultural policies on musicians’ careers and also as ruthless consequences of memory politics based on available technologies of audio and video recordings.Doing Pop in Socialist Hungary: Access and Materialities},
	year = {2017},
	pages = {61-68},
	orcid-numbers = {Hammer, Ferenc/0000-0002-9414-793X}
}