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Myth, Image, Narrative: Critical Studies

Gálla, Edit [Gálla, Edit (Irodalomtudomány), ed.] NIE (KRE / FHSS); Péri-Nagy, Zsuzsanna [Péri-Nagy, Zsuzsanna (Irodalomtudomány ...), ed.] Department of Literary and Cultural Studies in ... (KRE / FHSS); Adorján, Mária [Adorján, Mária (alkalmazott nyelv...), ed.] NIE (KRE / FHSS)

English Study collection (Book) Scientific

Published: KRE, Bp, Hungary 2024

Identifiers

MTMT: 34981447
ISBN: 9782336472225

Chapters

Matus-Kassai Gyöngyi. “Since My Conversion So Sweetly Tastes”: Conversion in As You Like It. (2024) In: Myth, Image, Narrative: Critical Studies pp. 13-28
Hargitai Márta. “Fate Hid in an Auger Hole”: Confined Space as Representation of Evil in Macbeth. (2024) In: Myth, Image, Narrative: Critical Studies pp. 29-45
Kiss Attila. The Peacham Drawing Revisited: “Composite Reading” and the Representational Logic of the Emblematic Theater. (2024) In: Myth, Image, Narrative: Critical Studies pp. 47-56
Tarnóc András. “A Stranger to Fear and an Enemy of Oppression”:: Ethan Allen as a Model of the American Hero. (2024) In: Myth, Image, Narrative: Critical Studies pp. 59-72
Lévai Csaba. Two Virginian Founding Fathers and Two Last Wills:: The Problem of Slavery and the Testaments of George Washington and Thomas Jefferson. (2024) In: Myth, Image, Narrative: Critical Studies pp. 73-87
Gálla Edit. Our Dual Existence: Ghostly Others in Sheridan Le Fanu's In a Glass Darkly. (2024) In: Myth, Image, Narrative: Critical Studies pp. 91-106
Linszky Franciska. Depictions of the Virgin Mary by Dante Gabriel Rossetti and Julia Margaret Cameron. (2024) In: Myth, Image, Narrative: Critical Studies pp. 107-122
Tóth Krisztina Kitti. Wrapped in Anonymity: The Unimpeded Voice of Anon in Virginia Woolf's Works. (2024) In: Myth, Image, Narrative: Critical Studies pp. 123-138
Csetényi Korinna. “What’s Behind the Door? Aesthetic Considerations in the Horror Genre through Shirley Jackson’s The Haunting of Hill House.”. (2024) In: Myth, Image, Narrative: Critical Studies pp. 155-167

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2026-08-08 02:47

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