https://m2.mtmt.hu/ hun 2026-10-24 17:55 BookChapter 3343911 VALIDATED true Utánközlése magyarul: A dalok ugyanazok maradnak (3343906) 0 2018-03-06T13:53:34.000+0000 false 3343911 2026-08-24T06:58:36.567+0000 2022-08-26T07:55:54.286+0000 2018-03-06T13:37:49.000+0000 true 10028799 Jakab Katalin /api/admin/10028799 Admin true 10028799 2020-12-08T14:36:37.197+0000 2020-12-08T14:36:37.197+0000 2020-11-09T13:19:00.166+0000 true 10027211 Szigeti Krisztina /api/admin/10027211 Admin true 10027211 2022-08-26T07:55:54.290+0000 true 10027211 Szigeti Krisztina /api/admin/10027211 Admin true 10027211 true false true 25 25 /api/publicationtype/25 PublicationType 2 true 25 BookChapter true 10000303 Study true 25 25 /api/publicationtype/25 PublicationType 2 true 25 BookChapter /api/subtype/10000303 Szaktanulmány SubType 219 true 10000303 true 1 /api/category/1 Category true 1 Hammer, Ferenc The songs remain the same Structures of cultural politics of retro in Hungarian pop music 61 68 61 8 2017 Scholarly approaches to pop music produced in the Cold War period in the Eastern Bloc tended to focus on musicians whose work somehow crossed lines defined by cultural policies defined by the Party. Apart from the presumable personal interest and taste of social scientists, a rationale for this choice can be that norms in action show with great accuracy important traits of any human association, let it be a teenage couple or the Union of Soviet Socialist Republics. The period around 1989 was a particularly rich period for monographs, edited volumes and journal articles about Russian rockers, Polish punks, Hungarian alter-scenes, or any walk of musical endeavour from Slovenia to Siberia that could be understood as a certain form of nonconformism or resistance (Ramet 1994; Troitsky 1987; Bushnell 1990; Ryback 1990). Though these authors had sought to distance themselves from a romantic glamorizing of these countercultural efforts, nevertheless one reading still seems plausible, that is, these articles and books in a way could be read as an acknowledgement of these efforts which often had to face censorship, or isolation. A strange phenomenon still could be observed. If one adds up the YouTube views of the ten most popular tunes of the twenty or so alternative groups, from Ági és a Fiúk (Ági and the Boys) to Vágtázó Halottkémek (Galloping Coroners), appearing inAnna Szemere’s (2001) thorough Up From the Underground: The Culture of Rock Music in Postsocialist Hungary, this number would be still smaller than the YouTube views of the most popular song, more than 3.7 million, by Neoton Família, a Hungarian disco pop band that gained its greatest success around the turn of the 1970s-80s. In this chapter, employing arguments from the study of pop music and also from media studies, I outline a few structural arguments for this phenomenon of repetition, that is, when cultural policies of the 1970s-80s quite curiously repeat themselves in the context of web2.0/3.0 digital environments due to a dual determination, as matter-of-fact impacts of cultural policies on musicians’ careers and also as ruthless consequences of memory politics based on available technologies of audio and video recordings.Doing Pop in Socialist Hungary: Access and Materialities true 2018 true true true false true false NONE 2026-08-24 false true 10028799 Jakab Katalin /api/admin/10028799 Admin true 10028799 6 0 6 6 4 2 5 0 4 4 4 4 4 6 0 0 6 6 6 6 0 0 0 Folyóiratcikk Journal Article 24 3 Könyvrészlet Chapter in Book 25 3 Könyv Book 23 0 Egyéb konferenciaközlemény Conference paper 31 0 Egyéb konferenciakötet Conference proceedings 32 0 Oltalmi formák Protection forms 26 0 Disszertáció Thesis 28 0 Egyéb 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Kiadónál At publisher @@@ true true 141 true IDENTICAL https://www.taylorfrancis.com/books/e/9781315689982/chapters/10.4324/9781315689982-14 https://www.taylorfrancis.com/books/e/9781315689982/chapters/10.4324/9781315689982-14 true true PublicationIdentifier 21618144 /api/publicationidentifier/21618144 PlainSource 3 /api/publicationsource/3 PublicationSourceType 10003 /api/publicationsourcetype/10003 false true true Scopus Scopus http://www.scopus.com/record/display.url?origin=inward&eid=2-s2.0-@@@ true true 3 true IDENTICAL 85024856869 http://www.scopus.com/record/display.url?origin=inward&eid=2-s2.0-85024856869 true true /api/publication/3343911 <div class="BookChapter Publication long-list"> <div class="authors"> <img title="Forrásközlemény" style="float: left" src="/frontend/resources/grid/publication-core-icon.png"> <div class="autype autype0"> <span class="author-name" mtid="10031642"><a href="/gui2/?type=authors&mode=browse&sel=10031642" target="_blank">Hammer Ferenc (<span class="authorship-author-name">Hammer Ferenc</span> <span class="authorAux-mtmt"> Médiatudomány, kultúraszociológia, történettudo...</span>) </a> </span> <span class="author-affil"><span title="Eötvös Loránd Tudományegyetem">ELTE</span>/<span title="Bölcsészettudományi Kar">BTK</span>/<span title="Művészetelméleti és Médiakutatási Intézet">MuvelmMediakut_I</span>/Média és Kommunikáció Tanszék</span> </div> </div> <div class="title"><a href="/gui2/?mode=browse&params=publication;3343911" target="_blank">The songs remain the same : Structures of cultural politics of retro in Hungarian pop music.</a></div> <div class="InBook"><div class="chapter-in">In:</div> <div class="authors"> <div class="autype autype-1"> <span class="author-name" mtid="10042766"><a href="/gui2/?type=authors&mode=browse&sel=10042766" target="_blank">Barna Emília (<span class="authorship-author-name">Barna Róza Emília</span> <span class="authorAux-mtmt"> Szociológia</span>) </a> </span> <span class="author-affil"><span title="Budapesti Műszaki és Gazdaságtudományi Egyetem">BME</span>/<span title="Gazdaság- és Társadalomtudományi Kar">GTK</span>/<span title="Társadalomismeret Intézet">TI</span>/Szociológia és Kommunikáció Tanszék</span> ;&nbsp;&nbsp;&nbsp; <span class="author-name" mtid="10037991"><a href="/gui2/?type=authors&mode=browse&sel=10037991" target="_blank">Tófalvy Tamás (<span class="authorship-author-name">Tófalvy Tamás</span> <span class="authorAux-mtmt"> Kommunikáció- és médiatudomány</span>) </a> </span> <span class="author-affil"><span title="Budapesti Műszaki és Gazdaságtudományi Egyetem">BME</span>/<span title="Gazdaság- és Társadalomtudományi Kar">GTK</span>/<span title="Társadalomismeret Intézet">TI</span>/Szociológia és Kommunikáció Tanszék</span> (szerk.) </div> </div> <div class="booktitle"><a href="/gui2/?mode=browse&params=publication;2983556" target="_blank">Made in Hungary : Studies in Popular Music </a></div> <span class="publishedAt">London,</span> <span class="publishedAt">New York: <span class="publishers">Routledge</span>, <span class="page"> pp 61-68 </span> <span class="year">(2017)</span> ( <span class="seriesTitle">Routledge Global Popular Music</span> ) </div> <div class="pub-footer"> <span class="language" xmlns="http://www.w3.org/1999/html">Nyelv: Angol | </span> <span class="identifiers"> <span class="id identifier oa_none" title="none"> <a style="color:black" title="10.4324/9781315689982-14" target="_blank" href="https://doi.org/10.4324/9781315689982-14"> DOI </a> </span> <span class="id identifier oa_none" title="none"> <a style="color:blue" title="https://www.taylorfrancis.com/books/e/9781315689982/chapters/10.4324/9781315689982-14" target="_blank" href="https://www.taylorfrancis.com/books/e/9781315689982/chapters/10.4324/9781315689982-14"> Kiadónál </a> </span> <span class="id identifier oa_none" title="none"> <a style="color:blue" title="85024856869" target="_blank" href="http://www.scopus.com/record/display.url?origin=inward&eid=2-s2.0-85024856869"> Scopus </a> </span> </span> <span class="bookchapter-ids">Befoglaló link(ek):</span> <span class="identifiers"> <span class="id identifier oa_none" title="none"> <a style="color:black" title="10.4324/9781315689982" target="_blank" href="https://doi.org/10.4324/9781315689982"> DOI </a> </span> <span class="id identifier oa_none" title="none"> <a style="color:black" title="https://www.routledge.com/Made-in-Hungary-Studies-in-Popular-Music/Barna-Tofalvy/p/book/9781138915879" target="_blank" href="https://www.routledge.com/Made-in-Hungary-Studies-in-Popular-Music/Barna-Tofalvy/p/book/9781138915879"> Kiadónál </a> </span> <span class="id identifier oa_none" title="none"> <span class="isbnOrIssn"> ISBN: </span> <a style="color:black" title="9781138915879" target="_blank" href="https://www.worldcat.org/search?q=isbn%3A9781138915879"> 9781138915879 </a> </span> <span class="id identifier oa_none" title="none"> <span class="isbnOrIssn"> ISBN: </span> <a style="color:black" title="9781315689982" target="_blank" href="https://www.worldcat.org/search?q=isbn%3A9781315689982"> 9781315689982 </a> </span> <span class="id identifier oa_none" title="none"> <a style="color:blue" title="85024849533" target="_blank" href="http://www.scopus.com/record/display.url?origin=inward&eid=2-s2.0-85024849533"> Scopus </a> </span> </span> <div class="publication-citation" style="margin-left: 0.5cm;"> <span title="Nyilvános idézőközlemények összesen, említések nélkül" class="citingPub-count">Nyilvános idéző összesen: 6</span> | Független: 6 | Függő: 0 | Nem jelölt: 0 | Scopus jelölt:&nbsp;4 | WoS/Scopus jelölt:&nbsp;4 | DOI jelölt:&nbsp;5 </div> <div class="mtid"><span class="long-pub-mtid">Közlemény: 3343911</span> | <span class="status-data status-VALIDATED"> Egyeztetett </span> <span class="long-book-mtid">Befoglaló: 2983556</span> <span class="oldId">Régi azonosító: 3343911</span> | <span class="oldId">Befoglaló: 2983556</span> Forrás | <span class="type-subtype">Könyvrészlet ( Szaktanulmány ) </span> | <span class="pub-category">Tudományos</span> | <span class="publication-sourceOfData">kézi felvitel</span> </div> <div class="lastModified">Utolsó módosítás: 2022.08.26. 09:55 Szigeti Krisztina (ELTE BTK MMI admin 5) </div> <pre class="comment" style="margin-top: 0; margin-bottom: 0;"><u>Megjegyzés</u>: Utánközlése magyarul: A dalok ugyanazok maradnak (3343906)</pre> </div><div class="comment">eISBN: 978-1-315-68998-2 Megjegyzés-26941740 <http://scholar.google.hu/scholar?cluster=16440158810949746717&hl=hu&oi=scholaralrt></div> </div>