Diversity in Narration and Writing

Horváth, Kornélia [Horváth, Kornélia (Irodalomtudomány), szerk.] Magyar Irodalomtudományi Tanszék (PPKE) (PPKE / BTK / MNyIrodI); Mudriczki, Judit [Mudriczki, Judit (irodalom- és kult...), szerk.]; Osztroluczky, Sarolta [Osztroluczky, Sarolta (irodalomtudomány), szerk.] Magyar Irodalomtudományi Tanszék (PPKE) (PPKE / BTK / MNyIrodI)

Angol nyelvű Tanulmánykötet (Könyv) Tudományos

Megjelent: Cambridge Scholars Publishing, Newcastle upon Tyne, Egyesült Királyság / Anglia 2022

Azonosítók

MTMT: 32529640
ISBN: 9781527577169

Szakterületek:

Irodalomelmélet, összehasonlító irodalomtudomány, irodalmi stílusok
Irodalomtörténet

Fejezetek

Judit Mudriczki. Introduction: Diversity in Academic Discourses on Novel Studies and Narrative Theory in and beyond Central Europe. (2022) Megjelent: Diversity in Narration and Writing pp. 1-8
Gintli Tibor. Narrative and Speed. (2022) Megjelent: Diversity in Narration and Writing pp. 32-40
Horváth Kornélia. Three Central European Writers on the Novel: Milan Kundera, Béla Hamvas, Géza Ottlik. (2022) Megjelent: Diversity in Narration and Writing pp. 41-50
Kappanyos András. Heteroglossia and Inner Monologue: Linguistic Events as Character Traits in Ulysses. (2022) Megjelent: Diversity in Narration and Writing pp. 51-64
Antal Bókay. Diverted from Wonderland: Multilevel Trauma Narratives of Lewis Carrol. (2022) Megjelent: Diversity in Narration and Writing pp. 76-97
Kovács Gábor. The Problem of Counterpart and Narrative Parallelism in Prose Language: Jack London’s "The Law of Life" and "Morganson’s Finish". (2022) Megjelent: Diversity in Narration and Writing pp. 98-109
Séllei Nóra. The Voice of the Community in Doris Lessing’s The Grass is Singing. (2022) Megjelent: Diversity in Narration and Writing pp. 110-123
Reichmann Angelika. Narration, Colonisation, Intertextuality: J. M. Coetzee’s Dusklands. (2022) Megjelent: Diversity in Narration and Writing pp. 124-142
Yuliia Terentieva. Campus as a Non-Place in the Novels of David Lodge. (2022) Megjelent: Diversity in Narration and Writing pp. 143-153
Sipos Nikolett. Bran Remembers: The Narrative Process of A Game of Thrones. (2022) Megjelent: Diversity in Narration and Writing pp. 154-166
Albert Noémi. “Like People in a Book”: Jack and a Modern-Day Captivity Narrative. (2022) Megjelent: Diversity in Narration and Writing pp. 167-183
Bengi László. Narrative World and Descriptive Power: Ambiguity and Integration in Dezső Kosztolányi’s Skylark. (2022) Megjelent: Diversity in Narration and Writing pp. 184-204
Benda Mihály. The Perception and Representation of Paris in Modern Fiction by Gyula Illyés, András Hevesi and Jolán Földes. (2022) Megjelent: Diversity in Narration and Writing pp. 205-215
Osztroluczky Sarolta. The Thicket of Memory. Thomas Wolfe and Géza Ottlik. (2022) Megjelent: Diversity in Narration and Writing pp. 216-228
Kulcsár-Szabó Zoltán. Wonders of Telling – Telling Wonders. (2022) Megjelent: Diversity in Narration and Writing p. 229
Szávai Dorottya. Figures of Absence and the Poetics of Silence in the Works of Kertész, Kafka, and Camus. (2022) Megjelent: Diversity in Narration and Writing pp. 246-259
Tóth Sára. The God of Auschwitz:: A Reading of Imre Kertész’s Kaddish for an Unborn Child inspired by Northrop Frye’s Vision of Literature.. (2022) Megjelent: Diversity in Narration and Writing pp. 260-277
Zsadányi Edit. Hungarian Voices of the Subaltern in the Interruption of Contemporary Narrative Discourses by Krisztina Tóth, Kriszta Bódis, and Agáta Gordon. (2022) Megjelent: Diversity in Narration and Writing pp. 278-291

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Diversity in Narration and Writing

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