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Representations of social inequality in 21st century global art cinema

Kalmár, György [Kalmár, György (Kultúratudomány, ...), szerk.] Brit Kultúra Tanszék (DE / BTK / AAI)

Angol nyelvű Tanulmánykötet (Könyv) Tudományos

Megjelent: Debrecen University Press, Debrecen, Magyarország, 145 p. 2021

Sorozatok: ZOOM. A kortárs filmtudomány kulcskérdései 2063-8450, 8.

Azonosítók

MTMT: 32519301
ISBN: 9789633189825
OSZK: 3857833

Fejezetek

Kalmár György. Preface. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 7-9
Kalmár György. Introduction: Representations of social inequality in 21st century global art cinema. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 10-26
Szabó Zoltán. On some limits of social realism in Two days, one night (2014) Sorry we missed you (2019). (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 27-38
Győri Zsolt. You are what your borders are: Hospitality and fortress Europe in Last Resort and The Citizen. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 39-50
László Borbála. Non-human precarity: Wasted human-canine kinships in two contemporary documentaries. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 51-65
Balázs Fruzsina. An old paradigm with new relevance: The depiction of the marginalised holocaust survivor in Christian Petzold's Phoenix (2014). (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 66-79
Várnagy Rebeka et al. Lives in transit: the borken stories of social outcasts in Christian Petzold's Transit. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 80-89
Gyöngyösiné Fejér Ágnes. Symbols of social inequality in Bong Joon-Ho's Parasite. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 90-103
Józsa Barbara. Disguised monsters, uncanny secrets, and unstable structures: Increasing fears of class conflict in Parasite (2019). (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 104-116
Aghayeva Aysel. The meaning of family in Shoplifters. (2021) Megjelent: Representations of social inequality in 21st century global art cinema pp. 117-124

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2025-04-28 05:05

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