The "dumb blonde" in a Hungarian context

Géró, Györgyi [Géró, Györgyi (Alkalmazott nyelv...), szerző]

Angol nyelvű Szaktanulmány (Könyvrészlet) Tudományos
    Azonosítók
    • MTMT: 3192031
    Humor tends to be rooted in concrete societies and cultures, where it reflects the situations and structures of its environment (as a function of both time and space). But does the object of humor change over time? And are there some subjects that just don’t go away, that let us pick at them over centuries or even millennia? The blond female is a new player in the (international) world of jokes. Earlier jokes about women were sexual or linked to their roles in the family (wife and mother- in-law). So, what is this blond woman? Is she a materialization of the independent modern woman or is she the manifestation of eternal female characteristics or is she both? The male of our species appears in jokes placing him in the social and occupational world, as the traditional public player of a patriarchal society. When cracking jokes about doctors, policemen, teachers, waiters and more recently, lawyers, the stereotypes we italicize are male. But is there some form of homogeneity, some gender traversing that reflects the appearance of the female on the workforce? And how faithfully do our Hungarian jokes reflect the transformations undergone by society and the change in male and female roles? Can we capture the narrowing of the gap between the gender roles, or possibly the mixing of the two in a transformation of stereotypes as relayed by jokes? What kind of antecedents can we find in folklore and/or comic literature? And crucially, can these jokes play a role in reproducing the traditional gender role structure?
    Hivatkozás stílusok: IEEEACMAPAChicagoHarvardCSLMásolásNyomtatás
    2026-01-20 07:28