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írott elemzéséből kiindulva egy sajátos magyar példán, a Privát történelem című rövidfilmen keresztül azt
vizsgálom, hogyan értelmezhető részvételi kutatásként, illetve „önmagunk kutatásaként” a privátfilm
utólagos felhasználása, kisajátítása. Bódy Gábor és Tímár Péter filmje, a Privát történelem esetében egy
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az anyagból. Bartosék önmagukat prezentálták a családi filmezés révén, Bódyék pedig egyrészt a háború
előtti archív anyagon megjelenített privát életet, másrészt és áttételesen talán a velük kortárs magyar civil
társadalom eredetét, illetve aktuális lehetőségeit kutatták az 1970-es években. A Privát történelem (egyik)
alapkérdése az, hogy mik voltak az önreprezentáció eszközei és lehetőségei a háborút megelőző években egy
zsidó család számára, és ezen keresztül és tágabban az, hogy mit jelent a privát kép egy autoriter társadalomban.</abstractText>
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