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Hierotopic methodology focuses on the creation of sacred spaces as a form of human creativity. Though the Reformation may have done away with ecclesiastical sacred spaces, it introduced a new kind of hierotopy in their place: a sacralization of the whole of Creation, with a focus on human environments. Protestant admiration for nature was imbued with religious feelings, while cleanliness and domesticity came to be seen as closely akin to holiness. In this paper I interpret Dutch Golden Age Painting as an iconography of this new form of sacrality. I argue that what we find in this art ought to be understood, not as a purely descriptive, objective realism conceived for its own sake, but rather as a passionate or even sacred naturalism motivated by admiration for God’s marvelous creation and enhanced by a Protestant sense of co-working with the Creator.", "digital" : true, "printed" : false, "sourceYear" : 2019, "foreignEdition" : true, "foreignLanguage" : true, "fullPublication" : true, "conferencePublication" : false, "nationalOrigin" : true, "missingAuthor" : false, "oaType" : "NONE", "oaCheckDate" : "2021-03-16", "oaFree" : false, "citationCount" : 0, "citationCountUnpublished" : 0, "citationCountWoOther" : 0, "independentCitCountWoOther" : 0, "doiCitationCount" : 0, "wosCitationCount" : 0, "scopusCitationCount" : 0, "independentCitationCount" : 0, "unhandledCitationCount" : 0, "citingPubCount" : 0, "independentCitingPubCount" : 0, "unhandledCitingPubCount" : 0, "citedPubCount" : 1, "citedCount" : 1, "hasCitationDuplums" : false, "userChangeableUntil" : "2020-02-15T14:43:00.210+0000", "directInstitutesForSort" : "", "ownerAuthorCount" : 1, "ownerInstituteCount" : 8, "directInstituteCount" : 0, "authorCount" : 1, "contributorCount" : 0, "hasQualityFactor" : false, "link" : "/api/publication/30921522", "label" : "Simsky Andrew. 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