In post-Trianon Hungarian irredentist imagery, the use of the
Christian symbolism of crucifixion is hardly exceptional and
is common to self-pitying nationalist imagery in much of the
Christian world. However, Hungary's unique historical
development left irredentist image creators unable to use the
crucifixion of a male figure. Nevertheless, although
restricted to gender-neutral or female representations,
Hungarian nationalists were compelled to evoke the Passion of
Christ, while also stressing the Mary-like nature of the
country. As the paper shows, they created a powerful, if
blasphemous set of images placing the motherland in the role
of Christ. This continues to be evoked in Hungarian
nationalist discourse today.
